Optimal Distance

An Autobiography with Photographs

by Joan Carol Lieberman

Author: JCL (page 2 of 2)

Thursday, August 19, 1999, Birch Cabin at Bread Loaf

Dearest Bob,

This morning I lay awake on my narrow camp bunk counting the remaining nights at Bread Loaf. My body feels as if it is at the break point on this marathon, but my brain is soaring, fearlessly flying higher and higher. If I read half of what I have been stimulated to buy and half of what has been recommended, I would not finish, even if I had a normal life span instead of only borrowed time. If nothing else, these weeks at Bread Loaf have been a sobering reminder of how time limits literacy.

I have met many unique and talented writers here–some in person and some only through their public readings, others through both. The women in my nonfiction workshop have the instant intimacy that small group membership confers, even though we have very different interests and backgrounds. Tomorrow our ability to be helpful will be sorely tested. Sundance, isolated by gender and generation, will be the last in our workshop group to have his writing discussed.

We workshop participants have a universally dazed look after our written submission has been critiqued–as if we had learned to ride a bike and were showing off our “look-no-hands-confidence,” only to suddenly crash in front of our friends and teachers. We pull ourselves and our bicycles upright, trying not to cry, while silently yelping from the searing pain of newly scrapped skin. I suspect some of us will depart Bread Loaf without the dreams of fast riding and writing that we brought with us in our carefully packed camp duffles.

My nonfiction workshop leader is Patricia Hampl. In an idealized world, I would like to enter Hampl’s personal university and study for two degrees–a doctorate in English language and a masters in personal dignity and carriage. She has an exquisite ear and eye for language. It has to be torture for her to wade through our awkward assemblage of effort. Revealing little, Hampl’s neutrality is slightly unnerving.  Metaphorically, she is Switzerland at the height of World War II while we are ambivalent allies making use of her to hold our projections, our riches and our secret synaptic sins.

I was very happy to be assigned to Hampl’s group, even more so when I discovered there was a bonus surprise. Helen Fremont, the author of After A Long Silence, is a Bread Loaf Fellow assigned to assist Hampl. There was no mention of this paired structure in any of the pre-camp literature, so I was delighted to find Fremont in our group. I arrived at Bread Loaf the day after we walked the cemeteries of Wappingers Falls in search of the stone marking the grave of the grandfather I never met and find the author whose story started my search.

There is more. Helen Fremont could be Henry Smokler’s sister; Charlotte her mother. Not only do they have the same large and luminous eyes and mannerisms; they also have the same curious minds. More importantly, both of their families came from the same street in Lvov. A serendipitous coincidence or true synchronicity?  I asked Fremont to sign a copy of After A Long Silence for Charlotte. Perhaps Helen’s presence is why the fates conspired to give me this gift of brain bread and distance and you the “virgin time” of minding Marley, home, and wilting garden all alone.

Today I had what is listed on the Bread Loaf program as my “publishing consult.” I met with Carol Houck Smith, Senior Editor at Large for W.W. Norton.  Coincidentally, Carol is the editor for Stanley Kunitz, who was Uncle Ed’s roommate at Harvard.  Also, she is a serious gambler when it comes to longevity. In 1993, when Kunitz was eighty-seven, she signed him to a three-book contract! She didn’t even flinch when she learned I had metastatic breast cancer. Instead she excited to learn that was born in Utah and had never lived further east than Boulder. Apparently she loves stories about the west. Learning that I had been a life-long diarist, she said: “That is wonderful! I think you have the beginning and the middle (i.e., my nonfiction workshop submission “Blackie and Snowball and the Great Fried Egg War” and my Bakeless submission, “My Book of Ruth”).  Now all you have to do is live long enough to write an ending!”

I like Carol Houck Smith very much, especially her forthrightness about mortality. She apparently hates “memoirs” and thinks there is a terrible dearth of well-documented autobiographies. Learning that I was an excommunicated Mormon, she said: “Hopefully, that puts you in the perfect position to explain Mormonism.”

At the conclusion of our meeting, she sent me to meet Alane Salierno Mason, who has just joined W.W. Norton, telling me, while laughing, “If we both die, Alane can take-over.”

The first thing Alane said was: “I don’t mind working with agentless authors because I had good mothering!” I felt as if I had been struck by lightning.

The readings and lectures continue to be rich, stimulating and dream disturbing. My mind goes to bed banquet-full and takes hours to settle. Birch Cabin, which seems to be made of birch bark, is an echo chamber for every door, water, and voice sound. I fall asleep late and wake early, in part because I share an adjoining wall with a member of the choral, an eighty-eight-year-old man dedicated to the rehearsal form. This morning I woke to a dream which contained my second lesson on the purpose of Bread Loaf.

            It was late afternoon; the sun was out just after a rain storm. My back to the West and warmed by the sun, I stood outside of Bread Loaf’s Little Theater observing a scene through the screen door where all the lectures and readings take place.  Inside, in the dim light, there were only a few audience members–six or seven in a theater which seats three hundred. At the podium were twice that number of participant presenters. They were simultaneously exhorting the scattered audience to follow their lines, to respond as if they understood and could affirm what the presenters had written and were reading. I saw writers at that moment as apprentices to the art of strip tease; some shyly, some brazenly revealing the wounds and delights of their lives. The audience members looked back without interest as if they were listless sullen high school students waiting to be released from class.

As soon as I woke up, I started laughing at the dream scene–not disdainfully, but  amused by the universal need we writers have to be heard. A desire which, the dream reminds me, is twice as great as our desire to listen.


Sunday, August 15, 1999, Birch Cabin at Bread Loaf

Dearest Husband,

Remember how I wanted to change my mind as we stood at the Hertz Counter in LaGuardia?

“I don’t want to go, I said. Please, just take me back home with you, okay?”  I was surprised my voice and syntax sounded like I was ten years old, trying to persuade my father not to make me go away to camp. Well, I was going away to camp! I had my flashlight and warm coat. I had read those rigid rules about roommates and the not-so-subtle messages from Carol Knauss about the real risks of regression. It was entirely possible I was on my way to a disaster.

As you waved goodbye from the Hertz bus, I started to cry. I was so discombobulated that I couldn’t find the rental agreement for the Hertz guard at the lot exit. The drivers in the cars behind me began blasting their horns and I didn’t know which way to turn. Already I was regressing.

You laughed at me after Bread Loaf staff wrote to request my photograph because I sent one taken eight years earlier. I can now assure you that I was already intuitively within the Bread Loaf culture! I have only been able to recognize about half the faculty from their photographs in the Bread Loaf brochure. So far, I think Clark Blaise has won the contest for the greatest distortion of time. Coincidentally, two nights ago, Blaise read from a forthcoming book about time. Ten hours earlier his wife, Bharati Mukherjee, had spoken so eloquently about acculturation and cosmopolitanism that I decided her husband was a lucky man. After Blaise finished, I thought she was a lucky woman. Like us, they are a perfect cross cultural match; much smarter though.

Another surprise: I expected to be the oldest camper at Bread Loaf, but I am not. Further, the conference is heavily populated by menopausal women–probably because they finally have time to write since they can’t sleep. In my creative non-fiction workshop, we have all paused and changed, except for one young male writer who calls himself “Sundance.”  In his solo status, he is appropriately respectful, surrounded by women like the one he left home to escape. Sadly, he is too inexperienced to recognize us as valuable source material.

I thought Bread Loaf Writers’ Conference was a place where writers went to write.  I was so wrong!  Bread Loaf is more like a listening camp! There are lectures and readings all the time. In between there is training in social listening at serial cocktail parties and shared meals. I have been most challenged by some of the poets. I often feel unable to hold all their stunning similes due to my personal federal-sized deficit of estrogen. For this reason, today I almost didn’t go to the morning lecture by the poet Ellen Bryant Voigt. But luckily something tugged me out of bed.

Voigt was crisp, on-fire with indignation about a critic’s recent assessment of Randall Jarrall as a mediocre poet and she launched into a remarkable exposition of Jarrall’s work. Voigt’s voice transported me back to Berkeley in 1961 when I stayed up all night writing an essay about a Jarrell poem in the dining room of the boarding house on Durant Avenue, while upstairs my hostile, narcoleptic roommate slept in our barely shared room. That poetry class was the only one I took in all those college years. By the time Voigt finished with Jarrall’s poem “Field and Forest” I was weeping for how I have wasted my life. I haven’t read a single Jarrell poem since I left Berkeley. I’ve been too busy.

Saturday night, Daniel Wallace, author of Big Fish, read a new short story, looking like a puffer fish, stuffed with good reviews and endorphins from his openly salacious camp flirtation with Erika Krouse. By the way she lists Boulder as her home. Wallace was followed by Alan Shapiro (also unrecognizable from his photo) who read new poems about his aging Jewish parents and his cancer stricken siblings. Suddenly, instead of Shapiro’s sister and brother-in-law, it was the two of us who were being described having sex on your fiftieth birthday. Like her, I was bald and drunk on Adriamyacin and morphine. It was as if I had walked into a high school health class to find that someone had secretly videotaped the worst moments of my sex life for the instructional film strip.

Susan Schmidt, the woman sitting next to me, must have felt Shapiro’s poem pierce my body because she intuitively put her arm around me. I only know Susan from reading her workshop submission. She writes of sailing in the ocean, of her Quaker faith in synchronicity, and quotes a poem by, of all people, Kenneth Boulding.  I have not told Susan that my fifteen- year-old son, Eben, is sailing the ocean for the first time with Kenneth Boulding’s granddaughter, Meredith Graham. So as Susan, whom I only know through twenty-five brine-laden pages, comforted me through Shapiro’s poetic narrative, I imagined that our normally land-locked son is writing his own poem on Meredith’s body, while lying on the deck of a boat in the Atlantic ocean under the watchful eyes of a billion stars.

I’ve decided one purpose of Bread Loaf is to remind writers that we are all sailing in the same small boat. Uncertain of which way the wind will blow, we drop our lines, fishing for affirmation, while trying to keep time at bay.

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